Award-winning photographer captures Rohingya suffering
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| Greg Constantine, a self taught award-winning photographer has an exhibition in Istanbul on the Rohingya Muslims, hoping to provide a better understanding of plight of Southeast Asia’s stateless Muslim group |
– Exhibition in Istanbul – previously in Washington, Bangkok, and Geneva – promises better understanding of plight of Southeast Asia’s stateless Muslim group
By Handan Kazinci
July 12, 2015
ISTANBUL – An award-winning photographer who has an exhibition on Rohingya Muslims currently running in Istanbul says Turkey has a particular relevance to his work.
“Istanbul is very strategic because Turkey is one of the few countries in the region that has actually shown a considerable amount of concern for what is happening to the Rohingya community,” Greg Constantine told Anadolu Agency this week.
“Inside Burma [Myanmar], the conditions the Rohingya live in are quite like apartheid… They are confined to one geographic area; they can’t come, they can’t go… They receive very little medical assistance or education for their children,” he adds.
Exiled to Nowhere: Burma’s Rohingya is a collection of photographs from Constantine’s 12 visits to Myanmar.
It focuses on persecution and human rights violation against the Rohingya community, and was previously held in Washington, Bangkok, and Geneva.
Constantine says he made his first visit to Rohingya communities in Myanmar’s volatile Rakhine state in 2006, and has made eight subsequent trips.
Rakhine is the home to most of Rohingya community. Since June 2012, the predominantly Buddhist country has been grappling with sectarian violence, outbreaks of which have left hundreds dead and more than 140,000 Rohingya confined to internal displacement camps in Rakhine.
In recent years, around 130,000 Rohingya have also fled the country by sea, according to the United Nations.
“I was so shocked by the situation that the Rohingya were living in there,” says Constantine, accusing the international community of paying little attention to the community.
“I knew it was a story I want to dedicate a lot of time to.”
Constantine’s haunting images show families confined to bamboo shacks, malnourished potbellied children walking among slums, and Rohingya gathered in impoverished conditions, trying to eke out an existence from the land.
One image shows three covered Rohingya women staring out of the darkness. It’s as if the suffering those eyes have seen reaches out to you.
As a freelance photographer, Constantine – who says he covered most of his costs through grants – had the freedom to spend long periods of time with the Rohingya.
“I like to talk to people quite a lot. And I always ask people if they are compatible with me taking pictures [so as not to invade their privacy],” he says.
He says getting people to talk with the aid of a translator, however, was not hard.
“The Rohingya community has been so oppressed for so long they want their stories to be told,” he says.
Constantine says that his visits took mainly 2 to 3 weeks, although his last trip – in Nov. 2014 – took just three days.
“There was a big demonstration by the local Rakhine Buddhist community,” he recalls. “There were several thousands of people demonstrating through the streets of Sittwe [the capital of Rakhine State], all protesting the existing of the Rohingya.”
My trips chronicle “the starting point of that hatred,” he adds
No matter how stark and thought provoking the images – some, it has to be said, hauntingly beautiful in their capture of suffering – Constantine says he is not in Turkey to sell his images.
“The purpose of this exhibition is not to celebrate the photography, it is the last objective of all of this. It is actually to use photography as a way to engage people and promote better understanding [about the Rohingya.]
“I focus on the root cause of the problem and that is the oppression that they face in their homeland – which is Burma,” Constantine says.
“Unless things change there, you are continually going to have this flow of Rohingya out of Burma to other countries.”
Exiled to Nowhere: Burma’s Rohingya, runs until July 30 at Galata Fotografhanesi in Istanbul’s Beyoglu district.
